James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
悬念设置得很高级,让人欲罢不能。
作为系列作品,这部依然保持了高水准。
每一集都像电影一样精良,制作太用心了。
主题深刻引人深思,看完后心里久久不能平静。
氛围营造一流,恐怖/悬疑感贯穿始终。
郑重声明:金桔影院所有资源均采集于互联网,如有涉及到您的权益,请及时联系我们.
如果喜欢金桔影院请分享给身边的朋友,站内广告是本站能持续为大家服务的立命之本还望顺手支持一下^_^
Copyright © 2026 · 金桔影院 www.oupolaijt.cn